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In fact, the popular vision of Diana had such gravitational pull that it changed the shape of Elizabeth's own cultural orbit, even long after Diana herself was gone. Pop Culture Happy Hour In 'Spencer,' Kristen Stewart's Princess Diana grasps for reality in order to survive Her only help comes from Tony Blair (Michael Sheen), who in the film is her savior precisely because he learned to pursue popularity outside the monarchy. It posited that Elizabeth was, through her training and the sense of duty that defined her life, simply unprepared for the depth of feeling she encountered, and surrounded by no one who could help her navigate it. Mirren's portrayal, for which she won an Oscar, was both sympathetic and damning. In The Queen, Helen Mirren played her as a woman so preoccupied with protecting her family and the institution of the monarchy, and so removed from her subjects, that she couldn't initially understand the public response Princess Diana's death would draw. That's why the portrayal of her has been handed off from actress to actress, from Claire Foy to Olivia Colman to Imelda Staunton.īut there were other portrayals, too. Much of The Crown has been devoted to unwinding her life to explore her humanity, how the woman she was from the moment of her startlingly young ascent to power informed the monarch she was. How popular culture engaged with her was a huge part of how it engaged with the entire idea of a queen - an English queen or any other one.Įlizabeth herself, in cultural representations both American and not, was a figure who could be stern or kind, tragic or comic, opaque or transparent. You don't see the queen dancing on TikTok or selling a new activewear line on Instagram. But there's a degree of tradition associated with this reverence, and a degree of formality and distance, that isn't like the devotion to Beyoncé or Chris Evans or whomever. It felt kind of similar in sheer magnitude to the way some Americans are about celebrities they admire, like actors and musicians. But it is the way a particular slice of the population reacted to her. The most important caveat about the royalty-adjacent emotions I saw that day is that of course this is not how all Londoners or all English people - let alone all of Queen Elizabeth's subjects - felt about her. It wasn't because she wasn't looking.Ī little shocked and a little dejected, she admitted it was simply that she was 'mesmerized.' Sometimes it doesn’t matter if love began as a flash or with careful tending, as long as hearts continue to warm for each other.William And Kate: The Royal Wedding The Royal Wedding: A Crowd's-Eye Viewīut the gray-haired woman near me who had been handing out snacks and chattering excitedly the entire time missed the photo she wanted the most: She didn't get a shot of the queen passing by in her carriage.

#KATE NETFLIX PARENT GUIDE SERIES#

So it makes perfect sense that Anthony and Kate connected through a series of intense moments. Kate, while not as cynical as Anthony about romance, had been willing to sacrifice any plans of marriage to ensure Edwina secured the best match, so Kate also needed a slow walk into discovering that she could love and be loved as well. Anthony, as the eldest, is more experienced and more jaded, so he needs a more careful introduction to true love. In the first season, Daphne is new to the game of love, so the passion she shares with Simon Bassett, the Duke of Hastings (Regé-Jean Page), moves quite quickly. The couple get their happily ever after, and we get to see a slow burn that’s more than worth the wait.Īs much as the Bridgerton siblings are fiercely devoted to one another, they’re also quite different. He needs the heat and passion she brings into his life. As Kate recovers from a terrible accident, Anthony realizes how cold his life would be without her. And that’s what we see in the season finale. Even after the highest flames are gone, it can still be too hot to touch. Sometimes a fire can take a long time to cool down.

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